Joe Baldwin's television studies are compressed analysis of moving image on a television through the use of slit scanning capturing single lines of visual information.
This piece, named For Loop, is part of a series created by JD Pirtle. To produce these pieces Pirtle first writes a sketch in Processing and then has that Sketch transfered into the surface of MDF board using a laser etcher. With this series Pirtle hopes to evoke visually key elements of computer science/art.
This installation curates a collection of Youtube videos in which users followed a tutorial transforming their appearances into that of the Terminator. The result is a close-knit community exploring a fascination with cybernetic augmentation, both fantasy and reality. http://www.tiffanyannfunk.com/
Along the Way uses a changing QR Code provides a link to a website that maps the route a web query takes mapping the geographical route and the virtual route of the companies that handle your data.
This comes from a series of prints made by accident. They are broken and distorted portraits of global icons. Icons imbued with an inordinate amount of faith and trust by the people that believed in them. These are the lands of heresy and deception. http://alexmyers.info/
Greatest of the Platonic solids, the Icosahedron is the closest regular polyhedron to the sphere. It's hexagonal sides can recursively tile, providing high fidelity at any altitude, latitude or longitude.
S3BMS is a new platform for singing-fish-based communication. S3BMS is a new international standard for short message communication which combines the informational efficiency of morse code with the semiotic flourish of robotic-singing fish gesture. S3BMS is specifically designed with naval and military aircraft communication in mind, but it is easy to foresee its popularity in the consumer communication electronics marketplace. The system makes use of three official Big Mouth Billy Bass units, an arduino board and a wireless keyboard. The user types a message on the typing pad, letter by letter, and each letter is translated by the system into a coded pattern of fish movement. The language itself has a semiotic pattern (aka a "bass-glyph") for every letter in the English alphabet and numeral characters 0-9. Bass-glyphs are a combination of three gestures inherent to the Big Mouth Billy Bass unit: a) head turn b) tail flick and c) mouth open. The presence or absence of these gestures determine the content of the bass-glyph. As an open standard, it is expected that the S3BMS community will evolve the bass-glyphs language and find emergent new ways of communicating through the system as time goes on. http://chazevans.net/workNW.html